The quality of the voice was far richer than I was able to ever achieve with RX, but it wasn't completely natural in those low mids, you could tell that there was boat in there modulating with the pitch. Clarity, using default settings on maximum, got rid of all the noise completely (and the noise component had essentially no dialogue element at all, just punching holes in the noise).
It was a lot of patient work in RX and the end result was still not great. It's a constant noise, but with a ton of low mids that overalap speech frequencies. REAL WORLD TESTS ON EXISTING MATERIAL (no audio examples)Ī presenter wearing a muffled mic over the loudest boat engine in the world. Even 512 was glitchy, I had to increase to 1024 to make it useable even as an offline process. On a 256 buffer, PT couldn't cope at all even using it in Audiosuite.
#Denoise projects professional test pro#
Here's an example working on the dialogue from DuneĪs if all this isn't enough, they currently have an extra deal of free plugins:Īssuming no calamities, I'm going demo the Pro version tomorrow - I have some horrendous material to try it out on.įirst observation - it is thirstier than any plugin I own. The Pro version has advanced controls to get multiband control, and the ability to remove dialogue altogether to retain noise (this can be really useful in post, believe it or not). On the basis of these videos, they seem massively better (and cheaper) than Cedar, and the Pro version may even top RX's offline mode. If you're familiar with NR, you'll know the artefacts and gotchas to listen out for. One is aimed at musicians for $30 intro price, the Pro version is for post and is $249. This genuinely seems incredible - two new real time Clarity Vx plugins.
You all know how jaded and cynical I am about almost every release these days.
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